SIBF 2025 18-22 June, 2025 l COEX Halls A & B1
〈Punctuation: New World Coming〉 is an archive. It recollects a history of Seoul International Book Fair, which disconnected and reconnected during the past 70 years. The history of Seoul International Book Fair is a record of complex cultural events which have never had longer history in Korea and a question for "What a book means to us?" The journey of Seoul International Book Fair consists of authors, readers, time and space around a book. This exhibitions includes these components and changes of a person or group which cross publication culture and knowledge production.
- Research: Lee Sanggil, Chae Woongjun
- Exhibition Manager: Lee Sanggil, Hyun Siwon
- Graphic Design: Kim Sunggu
- Date: September 8 (Wed) - 12 (Sun)
- Location: S Factory Sector A, 2nd Floor
“Knowledge Is Light. Reading Is the Key to Knowledge”
From ‘Knowledge Is Light. Reading Is the Key to Knowledge(1954)' to '긋닛 punctuation(2021)', Seoul International Book Fair presents a slogan that reflects their time.
〈Energy!〉, 2011/2019
Here are all slogans of Seoul International Book Fair and Book Week from 1954 to 2021. Some slogan(“Knowledge Is Light. Reading Is the Key to Knowledge”(1954), “Reading People, Bright Nation”(1962)) regards reading in the same light as power of a person/nation, some slogan(“Into the Book, into the World, into the Future”(2002)) consider reading in connection with a topic of the age, and some slogan(“meta–morphosis”(2017), “XYZ: 얽힘 entanglement”(2020)) stimulates one's imagination. 〈Let's Read All Together!〉 highlights a context of each slogan by deleting especially relevant words from it.
ㅣArtists: SMSM(Sasa[44], Park Mina, Choi Sungmin, Choi Seulki)
SMSM is a production group by Sasa[44], Park Mina, Choi Sungmin, Choi Seulki. They have made artworks through various mediums such as an installation, video, and object from 2009.
〈A Floating Book〉 is a video artwork among the commission installations of 〈an exhibition in ten chapters and five poems〉 exhibited at Busan Biennale 2020. Gu Donghee reorganizes Andres Felipe Solano's short novel, 『We’ll All End Up Rocks in a Lake』 In this artwork, an audience/a reader keep rolling their eyes provoked by a pace and an appearance such as physical movements, reading and seeing, and PDF document and copying.
ㅣArtist: Gu Donghee
Gu Donghee works through various media such as installation, sculpture, video, photography, and writing. Gu Donghee participated in many individual or various exhibitions includes 〈Re-play〉(Art Son-je Center, 2019)
Based on press releases, surveys and results of 〈Korean National Reading Survey 1987-1989〉 and documents including a proposal for 〈E-book Exhibition 1994〉, the exhibition shows the result of edit and re-edit for documents which has been treated as mortal papers from the moment it had made. Works starting from documents always mean to keep reading until the end.
ㅣArtists: Shim Kyusun
Studied in editional design, Sim Kyusun is interested in a practical and aesthetic moment that requires editorial design skill and sense.She has participated in 〈Publishing as Method〉(Art Sonje Center, 2020) as a production manager and 〈PPC〉(Audio Visual Pavilion Lab, 2020) as an artists and a graphic designer. Currently she is preoccupied in finding the reason a dotted line is treated as a solid line.
“Fourthly, renovating the public's sentiment by innovating education and cultural promotion.” ― the 11th Presidential Inaugural Address(September 1, 1980)
In the early 1980, 〈National Book Festival〉 and 〈Gukpung81〉 are the biggest cultural events than ever. 〈National Book Festival〉 was an outdoor book festival with a great scale, and 〈Gukpung81〉, held in 160,000-pyeong Yeouido Plaza, is a folk festival in order to inspire an attention for national culture and tudy of culture and heritage of the country. The exhibition displays a parallel movement between two festivals alongside a research for a relationship among politics, society and culture.
ㅣArtists: Kwon Sooyeon
Kwon Sooyeon researches intertextuality based on the relationship between text and text, language and image, and past and present. She also produces film about history, politics and culture.
〈Book's Year〉, 2021, Minguhong Manufacturing
Book's Year organizing committee declare the year 1993 as "Book's Year" and put up a sign “Open Books. Unfold the Future”와 “A Society Be Led by Book Readers”. "Book's Year" uses web technology used in 1993 when the event was held to reflect on the event. What are we reading now, 28 years after Book's Year. And what is it that websites created with the technology of the past are trying to recreate today.
ㅣArtists: Minguhong Manufacturing
Minguhong Manufacturing is a design studio/one man company that is parasitic to publisher Workroom. We work with ourselves, or with institutions, organizations, companies, individuals, etc., both inside and outside the art and design world, and focus on introducing the company, that is, Min Gu-hong Manufacturing itself, in many ways.
Artists made 〈Migrating Fonts〉 by gathering handwriting of 35 immigrants from 11 countries. 〈Migrating Fonts〉 is used for reciting greeting of Seoul International Book Fair 2021. The annual greeting comprehensively reveals the internal perspective emphasized by the book fair, and shows the aspect of globalization or international events we want in the message of hospitality to the world beyond the domestic audience.
ㅣArtists: Cho Hyejin
Cho Hyejin is interested in the behavior of the members of society and the things as reflecting mirror. The relationship between the mobility that creates objects and carving is set as a cross-reference relationship, and questions about sculpting media are the driving force of the work.
Constructed in 1975, the Publishing and Cultural Center was a dream crystal obtained by the dedicated efforts of publishers. The artist examines and connects the album of the completion ceremony, the inside of the current hall, and intersects the past records of the publishing and cultural center with the current appearance.
ㅣArtist: Park Sunho
Park Sunho have curiosity for making a package consists of personal memory-information-visual image. The artworks of Park Sunho tells a story interwined with microhistory-macrohistory and personal history-social history in the shape of art.
Each of the meanings of the title of the book comes into the lines of the poem and acts as an element of the context of the poem. In this process, the original title of the book loses its qualification. The symbolism of the book that the title of the book had was erased and remained only as a line of poetry. The arrangement of book titles is perceived by the audience as different meanings beyond the meanings that the books originally intended to convey.
ㅣArtist: Oh Jaewoo
Oh Jaewoo majored in painting and media art, and I work with an interest in changing the environment and perception of something called art and media development in society. He is working on asking questions about the conditions of the work and the creation, and in recent years, he is immersed in the experience and social context of art, Korean tradition and future.
The exhibition was inspired by a cooking method called rotisserie. A dish called electric grilled chicken is cooked by rotating the ingredients 360 degrees. By rotating the solid without fixing it, the audience can see the back of the solid from its place. In the work presented at the Seoul International Book Fair, fragmentary memories of the media called books held by each Mix n Fix member are carved and inserted into the work.
ㅣArtist: Mix n Fix
Mix n Fix (Gu Jaehoi 1979-, Kwon Donghyun 1982-, Shin Ikkyun 1986-, Yeom Chulho 1987-, Choi Juwon 1990-) is a group that explores the way sculptures are made by mixing and pasting various materials together.